Bittersweet Symphony

Una bonita historia sobre copyright sacada de Freedom of Expression:

By caving in to the demands of overzealous copyright bozos, you could end up like the Verve, a popular British band that scored a major worldwide hit in 1997 with “Bittersweet Symphony.” The Verve negotiated a license to use a five-note sample from an orchestral version of one of the Rolling Stones’ lesser hits, “The Last Time,” and received clearance from Decca Records. After “Bittersweet Symphony” became a hit single, the group was sued by former Stones manager Allen Klein (who owns the copyrights to the band’s pre-1970 songs because of aggressive business practices). He claimed the Verve broke the agreement when they supposedly used a larger portion than was covered in the license, something the group vehemently disputed.

The Verve layered nearly fifty tracks of instrumentation, including novel string arrangements, to create a distinctly new song. In fact, the song’s signature swirling orchestral melody was recorded and arranged by the Verve; the sample from the instrumental record is largely buried under other tracks in the chorus. The band eventually settled out of court and handed over 100 percent of their songwriting royalties because it seemed cheaper than fighting for a legal ruling that might not end in their favor. As if things couldn’t have gotten worse, they were then sued by another old Rolling Stones manager, Andrew Loog Oldham. Klein went after the Verve for infringing on the songwriting copyright, which he owned, but Oldham possessed the copyright on the sampled sound recording. They totally lost everything.

Not only couldn’t the Verve earn money from their biggest hit, they were stripped of control of their song. For instance, after the group refused Nike’s request to use “Bittersweet Symphony” in an ad, the shoe manufacturer aired the song after it purchased a license from Allen Klein. “The last thing in the world I wanted was for one of my songs to be used in a commercial,” the despondent lead vocalist Richard Ashcroft said. “I’m still sick about it.” In one final kick in the groin, “Bittersweet Symphony” was nominated for a Grammy in the Best Song category, which honors songwriters. Because the unfavorable settlement transferred the Verve’s copyright and songwriting credit to Klein and the Rolling Stones, the Grammy nomination went to “Mick Jagger and Keith Richards.” Ashcroft quipped that it was “the best song Jagger and Richards have written in twenty years.” He then suffered from a nervous breakdown and the group broke up.

Así que recordad: si en el 50×15 (o como se llame ahora) os preguntan de quién es legalmente Bittersweet Symphony, ya sabéis la respuesta buena: Mick Jagger.